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Closure, Aawakening & Rebirth - Part I - Eki Shola, Kayatta and Lenkadu 3 women inside the Music in Sonoma County

One of the most remarkable things to me about living in Sonoma County is the serendipity. For this month’s column, I was originally going to write about “alternative holiday music”, but I wasn’t having much luck with it. My friend Kathleen McCallum put me in touch with a remarkable woman. Eki Shola is a Cornell University-trained physician turned musician (more on that in Part II). She was born in London and given a Nigerian name by Jamaican parents. Her family emigrated to New York in the late 1980s and since 2010 she has called Sonoma County home. On her website (EkiShola.com) she writes “I feel that Jamaica is my cultural roots; London the place where I remember my childhood memories; and New York City the place that offered amazing gritty life adventures. For now, California is my current abode – a beautiful place with an abundance of glorious weather.”

Eki Shola
Eki Shola

As soon as we began talking, she said that “This time right now—the closure of 2020—feels like an awakening and rebirth.” I instantly knew that needed to be what this month’s column was about. It was just wonderfully perfect to me how two people from such diverse backgrounds could come together at this moment—it’s a perfect metaphor for what this column (and life in Sonoma County) is all about.

Eki Shola then introduced me to Kayatta and Lenkadu. These three women are fresh voices that you may not yet have heard yet, but they have things to say that we all need to hear. My interviews were quite extensive, with more great content than I can fit in just one column—so this will be continued in our January edition.

Kayatta
Kayatta

Kayatta is a rapper, poet, producer and teacher who grew up in the heavy drug-fueled streets of West Oakland and now lives in Petaluma. She was recently awarded Best Hip Hop Artist in Sonoma. On her website (KayattaMusic.com), she writes about “Effortlessly fusing poetry with drums and bass to create sonic goodness that seethes with musical audacious honey.” That is totally on target. And she is a FABulous woman to talk with.

Lenka Chludová was born in the Czech Republic and goes by the name Lenkadu. She now lives in Forestville and is an eclectic, inspired electronica performer and video artist—and last year won a Next Level grant from Creative Sonoma. Her website [http://lenkadu.com/] describes how she samples her field recordings, makes beats, plays drums and processes her voice as well as a range of instruments, while controlling music software with her feet. She is also a new Mom, her baby boy was born in March, and she is experiencing rebirth through him. “I call him my little guide to a better version of myself. It’s like an upgrade. It’s super-humbling. It directly relates to my work. I’m learning so much, watching him observe and then taking that back into how I look at things.”

When Kayatta came to Petaluma in 2013, she had her own rebirth. “I didn’t have hardly any money, I started from scratch. I didn’t think I wanted to do music anymore, so for me Sonoma County represents a rebirth in me. I love Sonoma County. There are so many beautiful things that resonate with my soul. I never met so many talented artists and musicians.” But for all of SoCo’s liberal leanings, racism is still an issue that we need to recognize. “Some parts of Sonoma County have been pretty racist for a black woman, a queer woman in the midst of liberal and racist people. I see that kind of thing up close and personal. For me it’s like a tale of two cities. When you see Trump caravans driving up and down the street, you like, ‘oh I’ve been living here the whole time, you don’t really accept me the way I thought you did.’ I’ve experienced racism firsthand, particularly in Petaluma. But I think being an artist, having the connections that I do, and being in this environment around people, I think we do have the ability to change people’s minds. We get to see the heart of a person, as opposed to where we from, our demographic, our culture. That’s when people start humbling themselves.”

Everyone knows we are living through historic times—at so many levels. Between the Covid pandemic, a hostile political environment, fires and evacuations, there is more than enough heartache and confusion to go around. At times like this people often turn to musicians and other creative souls for respite, and for connection. Connection to the parts of ourselves that get left behind when our world gets hard. Connection to the spark of light and power inside all of us that we forget to recognize when everything seems so hazy and crazy. Connection that reminds us of deeper truths we already know but need to remember. THIS is the power of music, of lyrics, of the artist.

Eki Shola and I talked about how hard it is for most of us right now with the growing recognition that we need to take care of ourselves—that our leadership, local or national, can and should only do just so much. They should be focused most on those in real need. People without homes, without jobs, without physical and emotional health. Many of us are starting to realize how much we need to—how much we should—be doing on our own. For ourselves and our neighbors. A vital sense of true community. If the pandemic has taught us anything, it should be how much we have in common. To me, it’s a strange and magical irony that the pandemic has exposed our commonality at a time when our national “leadership” has spent four years doing everything possible to pit ourselves against each other.

Lenkadu
Lenkadu

As we transition to a new year, and ideally a new political landscape, I asked Eki Shola what each of us can do to empower a healthy transition. “Closure, awakening, and rebirth are components of the same circle, sometimes occurring simultaneously. The first step is to pause and make yourself aware. Take the time to assess the present moment. What emotions are you feeling right now? How are you processing your emotions? With love? With judgement? With anger? We can’t change what we don’t know, so taking the space to measure how you’re feeling is crucial.”

I asked Lenkadu how we can reach out to other people that may be thinking differently. “This is the most fundamental question. I think that it’s in the process of becoming more present and realizing it’s ok sometimes just to listen to the other person. I think that somewhere in this process of pregnancy, I have experienced that sometimes it’s just enough to feel seen, and feel heard... And so I think that is the path, that ability just to receive the other even if they do support someone that seems to be completely against everything that we associate with... I don’t have to agree or disagree. And because I know how good that feels to me, I know it must feel good for them.”

“Besides”, she added, “No one’s gonna come up with their best ideas if they’re pissed off!”

Kayatta: “Music is always going to be something that I want to use to connect people. Music is something that crosses all lines, all boundaries, borders, transcends that. It’s just a great mover of souls. We’re so divided—those people that want change and those people who want things to stay the way they are. They cannot remain the way they are. So it’s unfortunate for them. So maybe through our music, maybe we can convince them to sign up for it. But it can’t go on the way it is. It’s not gonna function the way it’s supposed to.”

Eki Shola: “We won’t be able to connect with everyone and that is okay. Let that not stop us from continuing to share our stories with an open heart.”

The closing of a chapter of our lives can lead us to a rebirth. I’m not trying to be a Pollyanna here. I’m well aware the last four years have just been a painful exaggeration of feelings that a large number of our neighbors have harbored for generations—and that these issues are not going to go away quietly. And that the pandemic is going to get worse before it gets better. But for those of us who believe in the deeper connection we all share; the coming new year can be a remarkable time. As songwriters, those of us who are willing to bare our souls to reveal the struggle of the journey, and to ideally do it in such a compelling way that people want to listen—this is the gift of the artist. It is Hard Stuff. For all the joy of performing (which is so limited right now), there is the rough, ugly work of deep-diving into the stuff that connects us and coming back up with something true and honest to share. “Beautiful and messy” as Kayatta calls it. “This has been one of the hardest years of my life. And for some of my friends who really thrive and make a living off this industry, they’re suffering more. I’m an educator, so I’ve been able to retain my job and still be able to take care of my family. I can’t say that for some of my friends.”

In October, Eki Shola participated in the Press Democrat’s second virtual Women in Conversation . And earlier this year she wrote and recorded Shattered Boundaries [https://youtu.be/BH5OSNm5Bmo] and produced the video featuring 20 artists that inspired her. “I have received so much support from fellow musicians this year. Despite the fact that many artists are struggling financially due to venue closures, etc, I marvel at the continual reaching out and collaboration within the creative community. I love the process of creating and sharing my music yet I know I’m one drop in an ocean of amazing artists out there.”

Lenkadu told me that in terms of creativity, “I’m on fire. The hard thing about being a Mom is the time, and in the pandemic being the sole provider... But I released a single Newborn Night [https://youtu.be/dkfIF-OAsZw below] (recorded just a few weeks before her baby was born and featured in an NPR Tiny Desk Concert video collage) and I have another one coming out, and there’s a video on the way. But most of all, I am reconfiguring the way I have worked, and I feel like I’m being upgraded as an artist.”

Kayatta said that during the pandemic “I have written SO much. We released the album Beautiful and Messy [https://kayatta.bandcamp.com/album/beautiful-and-messy]. I have notebooks and notebooks of notes that we haven’t put to music yet, but you can imagine what it sounds like or what we’re talking about.”

Stay tuned for Part II in the January Gazette where we will continue exploring Closure, Awakening and Rebirth with these three exceptional women. I encourage you to visit these links:

EKI SHOLA:

“The ushering out of 2020 has served as a catalyst for me and I want to amplify the voices of marginalized artists across various creative outlets. Therefore, I have decided to launch a magazine in 2021 featuring underrepresented artists. Artists/writers please get in touch if you’re interested at [https://www.ekishola.com/contact/]

Eki Shola Facebook: Facebook.com/EkiShola [https://www.facebook.com/ekishola]

KAYATTA

Here are two tracks Kayatta wanted to share : Stony Point [https://youtu.be/X7Jgr-3QmBM] and Mercy Me feat. Erica Ambrin [https://youtu.be/0BJBgNcWXNw].

Kayatta Facebook: Facebook.com/Kay.Patton.94064 [https://www.facebook.com/kay.patton.94064]

LENKADU

YouTube channel: YouTube.com/Lenkadu [https://www.youtube.com/user/Lenkadu]

Lenkadu Facebook: Facebook.com/Lenkadu [https://www.facebook.com/Lenkadu]

David Rosen
David Rosen

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