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Black History Month DVD Review - I Am Not Your Negro

by Ceylan Karasapan Crow

Writer and playwright James Baldwin is one of the 20th century's greatest writers, Baldwin broke new literary ground by dissecting racial and social issues in american society in his many works. He was specifically known for his essays on the black experience in America, which established Baldwin as one of the top writers of the times. Exploring his own life, his courageous, unblinking look at the black experience in America through such works as Notes of a Native Son (1955) and Nobody Knows My Name: More Notes of a Native Son (1961), opened up discussion where few had ventured with such defiance. Selling more than a million copies, "Nobody Knows My Name" was a bestseller. Baldwin emerged as one of the leading voices in the Civil Rights Movement for his compelling work on race, even though he was not a marching or sit-in style activist. This was hard on his morale but he understood that his role as a witness was more important in order to get the story out, as we hear him say in the movie.

“I am not your Negro”

When one is in an abusive oppressive situation the best one can do is leave the situation. That is exactly what James Baldwin did when he left the US to live abroad. He was astute enough to save himself as did other artists of the era. He loathed the term negro and hence the name of the documentary, “I am not your Negro”. Though he was born and raised in Harlem, Baldwin spoke in cultivated aristocratic tones, with the hint of a Continental accent that said: I am not of this place. With this absolute rejection of the racist terms of America Baldwin addressed something not spoken about even among the most prominent black artists of his day. It was not the racism itself - that so many rejected, that he was addressing; Baldwin, would not allow himself to ever be defined on white people’s terms, he was addressing the sickness behind the racism. That defiance is what also made him leave the United States. He found Europe more welcoming and encouraging of his writing and intellectual pursuits. In one clip in the movie, Baldwin is speaking at a debate hosted by the University of Cambridge in 1965, where his intellectual insights, were far more welcome than they were at home.

But Baldwin did not hate white people, because early on in elementary school he met a young white teacher named Orilla Miller. The young Baldwin Nicknamed her "Bill", and Miller was to have huge effect on Baldwin's life. “ She directed his first play and encouraged his talents. The two discussed literature and went to museums together. Miller even won Baldwin’s father’s permission to take James to the theater, an activity strictly forbidden by the elder Baldwin. Later, James was to give credit to Bill for her lack of racism. He explained that it was "certainly partly because of her, who arrived in my terrifying life so soon, that I never really managed to hate white people.”

The documentary puts the race problem in its correct truthful context. The problem is seen by Baldwin not one of black people but as one of the sickness within American society; the emptiness the frivolity and unmentionable cruelty it delivers especially to its African American populace. That frivolity, emptiness and in a sense 'sickness' is poignantly emphasized in the movie with disturbing clips of daytime American tv. Baldwin says “You cannot lynch me and put me in ghettos, without becoming something monstrous yourselves".

As we are watching John Wayne movie clips within the documentary, it touched me to the core when Baldwin recounts how a black child awakens to the reality that he is not part of the society and culture he thought he belonged to. Baldwin describes a 5 year old black child suddenly discovering his blackness and realizes John Wayne his hero is actually the one killing “colored” people (the Indians) just like his little self.

Baldwin worked hard to become a writer. After graduating high school he struggled for a long time to support his family and write, he was finally published professionally and it was a book review that launched his writing career. This book review was followed by a number of essays. His first work of fiction was published in October of 1948. A proposed project with a photographer friend about Harlem churches won Baldwin a Rosenwald fellowship. The fellowship did give Baldwin the money needed to make his long dreamed trip to Paris. It was in Paris that Baldwin came to really understand himself, his homeland, and his culture. The distance and the contrasting supportive social environment gave him perspective.

Even though an expatriate writer, Baldwin stayed active in events that shaped American culture. His role in the Civil Rights movement is very important and he divided his time between Europe and the United States to achieve this. He met with Martin Luther King, Jr., Malcolm X, Medgar Evers, and a host of other politically active people to help bring about real social change. He was often a participant witness and we see him in the movie take a trip to the south along side Medgar Evers. His beliefs on race and race relations inspired a large number of his essays and is the main thread in many of his novels.

What director Raoul Peck is able to do seamlessly, is use Baldwin’s idea of a civil rights biography and the story about the black experience in America, to shine a bright light on the similar times we find ourselves in. From the beginning of the movie, sickening scenes of segregationist mobs jeering the first black students at Deep South schools are interwoven with shots of Black Lives Matter protests. Baldwin’s narrated words are spoken over the images and clips by the deep hushed, and at times pain ridden voice of Samuel L. Jackson.

In a 1963 interview, Baldwin, could be talking about today when he says,

“I am terrified at the moral apathy — the death of the heart — which is happening in my country”.

This Documentary is not easy to watch, and I forced myself watch some scenes because it drove home the horrendous fear with which people of color people live in the United States. We have witnessed this in Sonoma county with the shooting of Andy Lopez. And only by watching can you understand the bitterness and pain with which Baldwin confronts words uttered in patronizing tones such as Kennedy saying “I can imagine in forty years a black president” to which Baldwin retorts “he, Kennedy has just entered the stage and is already on his way to the presidency, yet black people have been around toiling for this country for 400 years and we are told we have a chance to be president in 40 years”.

The problem is black people are somehow not seen as Americans, as children of this country, unlike whites like the Irish, Italians and others who also toiled and struggled but became part of the United States. The irony is Black people did not want to come to this land, they were forced to, then they literally sweated blood and tears to make the south rich with not cheap labor but free labor; then over hundreds of years became Americans, but were never accepted as such.

Black people are not seen as human somehow, the complexity of a black persons' humanity is invisible.

"The police in this country make no distinction between a Black Panther or a black lawyer or my brother or me. The cops aren’t going to ask me my name before they pull the trigger. I’m part of this society and I’m in exactly the same situation as anybody else — any other black person — in it. If I don’t know that, then I’m fairly self-deluded… What I’m trying to get at is the question of responsibility. I didn’t drop the bomb [that killed four black school girls in Birmingham]. And I never lynched anybody. Yet I am responsible not for what has happened but for what can happen."

— James Baldwin

Baldwin was in favor of whether Blacks in America would get get more equality, more rights, more freedom of course, but for him the very idea that the black man or woman was going to be given rights, or even that she/he was going to fight for them, reminded him of slavery. For Baldwin the pertinent issue was that if you were black, the fact that you were a human being was forgotten.

In Baldwin's view being given rights didn't change the fact that you were not seen as a human being but as the "other". This was a more subtle and insiduous form violence, and Baldwin articulated it as akin to "soul murder". Baldwin saw that "a racist society oppresses, but that it also hollows out the souls of those who are doing the oppressing". For Baldwin, "racism against black people was, fundamentally, a way that white America was expressing its own psychological damage and conflict, and until white America dealt with that, the society would stay torn and disconnected."

You can watch the video with a free trial at:

https://www.amazon.com/I-Am-Not-Your-Negro/dp/B01N6Q00JM

or purchase at:

https://shop.pbs.org/independent-lens-i-am-not-your-negro-dvd/product/INYN401

DVD Review by Ceylan Karasapan Crow

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